Found footage: What is it good for?
Alice Pullen takes an in-depth look at the pitfalls and successes of the found-footage format.
Alice Pullen takes an in-depth look at the pitfalls and successes of the found-footage format.
Mark Liversidge had fun with this satisfyingly splattery tale of zombies taking over a mountain retreat.
Rosy Hunt reviews THE WITCH, a Puritan folk-tale previewed at this year’s Watersprite Festival.
“There’s something importantly likeable at work here, which is not something you can often say about tales of woodland bloodshed. Prepare to be unexpectedly seduced.”
Dare your subconscious to concoct some homebrew version of LET THE RIGHT ONE IN and ÊTRE ET AVOIR and you might ferment something like CHILDREN OF THE NIGHT.
What, who and why female Ghostbusters?
Rafael is a master salesman who aspires to the lifestyle that he sells: sharp clothes, fast cars, and beautiful women. Rebecca Naughten reviews FERPECT CRIME.
Ivan Kavanagh’s THE CANAL is a combination of classic and modern horror story, giving it a new sharper edge, writes Rohan Ilet.
Elegant little period shocker, with a nicely modulated performance by Vincent Price, and which gives a whole new meaning to ‘Buzz-Kill’, writes Stephen Watson.
TRIDENTFEST continues to demonstrate the collective’s evolution as talented film makers with a wide set of skills, writes Mark Liversidge.