Ludwig II
Even in the depths of the monarch’s decadence and detachment from reality, LUDWIG is always a sympathetic character, writes Owen Baker.
Even in the depths of the monarch’s decadence and detachment from reality, LUDWIG is always a sympathetic character, writes Owen Baker.
This beautifully directed tale of rediscovered family and love can’t quite fulfill its early promise, but is still well worth seeing, writes Owen Baker.
HANNAH ARENDT is a film populated with deep thinkers, academics and journalists, but only a few express their passions believably, writes Mark Liversidge.
In this intimate documentary set just north of Los Angeles, Kevin and his best friend Garrison tentatively step into the often wrenching world of adult responsibilities.
Roland Klick’s acid western embraces and transcends the ‘Spaghetti’ sub-genre, writes Sarah Acton.
Im Sang-soo’s THE TASTE OF MONEY has a gin-dry and pleasingly wry sense of humour which takes pity on none of its players.
An articulate, challenging and rewarding film which opens a thoughtful discourse on gender, disability and sexuality.
Science and the popular press have become somewhat uneasy bedfellows over the last few decades, writes Mark Liversidge.
The actual medical cause of physical ‘growing pains’ among children remain unknown, Wikipedia (reliably?) informs the curious reader: they are not thought to be directly linked to spurts in height. This mildly poetic physiological peculiarity seems relevant to the selection of short films at the Arts Picturehouse entitled GROWING PAIN– the five pieces chosen explore … Continue reading Growing Pain
Just how much intellectual property should be placed in the hands of a single entity? And who exactly should profit from it?