Google and the World Brain
Just how much intellectual property should be placed in the hands of a single entity? And who exactly should profit from it?
Just how much intellectual property should be placed in the hands of a single entity? And who exactly should profit from it?
Higher and higher, bigger and bigger. That was the Lebanese Rocket Society’s motto in the early to mid 1960s. Huw Oliver reviews this improbable documentary screening at Cambridge Film Festival.
Quelle sera le résultat de cette perte ? une mort … une évasion … un bannissement ? Nous vous recommandons vivement de découvrir l’une des trois projections au Cambridge Arts Picturehouse.
What will the titular loss entail? A death… an escape… a banishment? We strongly recommend you find out. But, if possible, don’t watch it alone.
Nicholas Barker decided to covertly film people dozing on Tokyo subway trains; from this he created his magnificent short film, TOKYO DREAMS.
Sorrentino’s corrupt, shameless Rome establishes a chokehold of gratuitous hedonism which it refuses to release for the film’s duration.
SHORTFUSION is often a treasure trove of inventive and beautiful cinema nuggets, and this year is no exception, writes Owen Baker.
Squirm-inducing body horror, the field recording expeditions of a pig farmer, meditations on free will, and a vague romance. Paul Milne reviews Shane Carruth’s latest.
Cate Blanchett is a magnificent, slow-motion human disaster in Woody Allen’s BLUE JASMINE, writes Ann Linden.
Predictable it may be, but Nat Faxon and Jim Rash’s comedy drama is still something to savour, writes Gavin Midgley.