A Hologram for the King
Despite the always-engaging Tom Hanks, the themes of A HOLOGRAM FOR THE KING feel malnourished and an imitation of better films. Jim Ross reviews.
Despite the always-engaging Tom Hanks, the themes of A HOLOGRAM FOR THE KING feel malnourished and an imitation of better films. Jim Ross reviews.
Although not a total knockout, the talent of Ryan Coogler and Michael B. Jordan shines through in ROCKY spin-off CREED. Jim Ross reviews.
TAKE ONE Awards for the calendar year 2015.
SPECTRE is as entertaining as Bond would be, but relies on older films and wants to have its cake and eat it too. Jim Ross reviews.
At its best, SICARIO arrests attention and has a patience that draws out an incredibly tense atmosphere. Jim Ross reviews.
TAKE ONE Awards for the calendar year 2014.
VIOLET is a confident feature debut from Bas Devos, with a strength lying in its visual storytelling, writes Jim Ross at CFF34.
Jim rediscovers the small delights — and irritations — of the Cambridge Film Festival.
LOVE & ENGINEERING, premiering at Tribeca Film Festival, does a disservice to both despite sparks of humour and engagement, writes Jim Ross
Engaging performances and strong direction allow BOULEVARD to overcome its more cliched elements, writes Jim Ross from Tribeca Film Festival