Memento: The Inception Of Nolan
Ahead of THE DARK KNIGHT RISES, Jim Ross takes a look the influence of Christopher Nolan’s MEMENTO – a film that has pervaded his work from INCEPTION to THE DARK KNIGHT
Ahead of THE DARK KNIGHT RISES, Jim Ross takes a look the influence of Christopher Nolan’s MEMENTO – a film that has pervaded his work from INCEPTION to THE DARK KNIGHT
Jim Ross got the opportunity to interview exciting talent Frances Lea about her career and new feature STRAWBERRY FIELDS
Jim Ross looks at Alex Barrett’s debut feature, LIFE JUST IS, which is screening at the Edinburgh International Film Festival this week.
Jim Ross thinks THE ANGELS’ SHARE is like a single malt with a huge block of ice. Read on to find out whether that’s good or bad…
“I’d like to annihilate the term ‘social realism'”: Ken Loach was recently in Cambridge and Jim Ross got the opportunity to talk to him about THE ANGELS’ SHARE.
Although a heavily flawed work, hamstrung by the muddled and often lazy script, PROMETHEUS is an undeniably compelling film.
Jim Ross takes in MOONRISE KINGDOM, Wes Anderson’s latest film, and wouldn’t hesitate in recommending it – even to Anderson sceptics.
Jim Ross previews the UK Green Film Festival (18th-20th May) and speaks to co-founder John Long
Although divisive, if drawn in by the construction and cast CAFÉ DE FLORE will reward you with a wonderfully involving tale, says Jim Ross
Glenn Close passion project ALBERT NOBBS is an honest attempt at a touching tale, but it is badly let down by clumsy storytelling, says Jim Ross