All posts by Jim Ross

Jim has written about film since freelance since 2010, and is a co-founder and the Editor-in-Chief of TAKE ONE Magazine. From 2011-2014 he was a regular co-host of Cambridge 105FM's film review show. Since moving back to Edinburgh he is a regular review and debate contributor on EH-FM radio's Cinetopia film show. He has worked on the submissions panel at Cambridge Film Festival and Edinburgh Short Film Festival, hosted Q&As there and at Edinburgh's Africa In Motion, and is a former Deputy Director of Cambridge African Film Festival. He is Scottish, which you would easily guess from his accent.

Nomadland

Chloe Zhao’s NOMADLAND is a beautiful and melancholic story embodied with heart and strength by Frances McDormand. Zhao’s film scatters the shattered remains of the American Dream amongst the breathtaking vistas of the ‘land of the free’; a romantic sonnet dedicated to a broken place. Jim Ross reviews.

Les Misérables

Ladj Ly’s film has a simmering tone that will later come to a rolling boil as the film reaches its crescendo, and an underlying attitude of ‘plus ça change, plus c’est la même chose’. Jim Ross reviews.

Pinocchio

PINOCCHIO very much stands apart from previous adaptations, and most definitely from versions of the story familiar to English-language audiences. Jim Ross reviews.

The Assistant

THE ASSISTANT lingers, and not because it generates an incandescent rage. Instead, it simmers with a sense of quiet injustice and insidious malfeasance, which is communicated powerfully by Kitty Green, Julia Garner, and the creative team.

Proxima

The production design and visual style of PROXIMA are refreshingly earth-bound and create a tangible emotional connection to the characters, even if Alice Winocour’s symbolic moments lack the subtlety that would elevate the film itself to the stars. Jim Ross reviews at Glasgow Film Festival.