The Taste Of Money
Im Sang-soo’s THE TASTE OF MONEY has a gin-dry and pleasingly wry sense of humour which takes pity on none of its players.
Im Sang-soo’s THE TASTE OF MONEY has a gin-dry and pleasingly wry sense of humour which takes pity on none of its players.
An articulate, challenging and rewarding film which opens a thoughtful discourse on gender, disability and sexuality.
Science and the popular press have become somewhat uneasy bedfellows over the last few decades, writes Mark Liversidge.
The actual medical cause of physical ‘growing pains’ among children remain unknown, Wikipedia (reliably?) informs the curious reader: they are not thought to be directly linked to spurts in height. This mildly poetic physiological peculiarity seems relevant to the selection of short films at the Arts Picturehouse entitled GROWING PAIN– the five pieces chosen explore … Continue reading Growing Pain
Just how much intellectual property should be placed in the hands of a single entity? And who exactly should profit from it?
Higher and higher, bigger and bigger. That was the Lebanese Rocket Society’s motto in the early to mid 1960s. Huw Oliver reviews this improbable documentary screening at Cambridge Film Festival.
Quelle sera le résultat de cette perte ? une mort … une évasion … un bannissement ? Nous vous recommandons vivement de découvrir l’une des trois projections au Cambridge Arts Picturehouse.
What will the titular loss entail? A death… an escape… a banishment? We strongly recommend you find out. But, if possible, don’t watch it alone.
Nicholas Barker decided to covertly film people dozing on Tokyo subway trains; from this he created his magnificent short film, TOKYO DREAMS.
Sorrentino’s corrupt, shameless Rome establishes a chokehold of gratuitous hedonism which it refuses to release for the film’s duration.