Brawler
Hyper-realistic macho mumbly dialogue? Check. Brotherly love? Check. Redemption? Check. Patrick Fowler reviews Chris Sivertson’s BRAWLER.
Hyper-realistic macho mumbly dialogue? Check. Brotherly love? Check. Redemption? Check. Patrick Fowler reviews Chris Sivertson’s BRAWLER.
THE MASTER is a sprawling and wonderful film, with terrific performances in front of and behind the camera. Although a landmark in Paul Thomas Anderson’s career, it maybe doesn’t come together as it should, writes Jim Ross.
ARGO is a well-handled spy drama with some Hollywood satire thrown in, and an engaging true story despite succumbing to silly contrivances and excessive dramatic licence at the end, writes Jim Ross
A universal tale of aspiration in the face of adversity is given fresh impetus and local nuances in Tosh Gitonga’s drama – the opening film of Film Africa and CAFF2012, writes Jim Ross
Mihai Kolcsar has a Hallowe’en flashback to the fearsome forests of Transylvania, triggered by the underrated classic DEAD END, starring Ray Wise and Lin Shaye.
Latest contribution to the Hallowe’en Specials: Keith Braithwaite’s top trouser-soiling moment from cinema history features in The Who’s bonkers, mawkish rock opera TOMMY.
For the series’ 50th anniversary, fans have a Bond film that seems to get almost everything right, writes Liam Jack.
When a bit of careless driving leads them to accidentally kill a fellow tourist, Tina and Chris develop a taste for blood…
Generational and class divisions are the terrain upon which Zvyangintsev constructs his vision of ‘the cruel laws of reality’.
This loving tribute to a milestone of British rock takes an insightful and evocative approach to the genre, writes Ed Frost.