Category Archives: Reviews

Oppenheimer

There are no more significant potential ramifications than the end of the world, and that awful looming mushroom cloud haunts every frame of OPPENHEIMER’s tense and emotionally violent portrait.

Barbie

From the bright pink Warner Brothers logo to Helen Mirren’s irony-soaked opening voiceover, BARBIE sets itself up as a wildly vibes-based moment of silliness. But the film is so much more than that, and in many ways not even that at all.

Asteroid City

ASTEROID CITY’s lasting gift is an emotional resonance that could act as a skeleton key to Anderson’s films, even for those who’ve previously found them cold and unapproachable. Simon Bowie reviews.

Reality

Adapting from her own play, Tina Satter takes on a Herculean task with REALITY: transforming a stage production into a compelling film, all while continuing to keep the same true information and dialogue of an FBI interrogation transcript.

Unclenching the Fists

UNCLENCHING THE FISTS explores the struggles of a young woman named Ada, and is a powerful portrayal of the impact of patriarchal structures – societal and familial – on the women within.

Brainwashed: Sex-Camera-Power

Where perhaps BRAINWASHED may be treading old ground for some of those already versed in basic film theory, Nina Menkes provides a clear platform for further study and highlights the saturation of male power in the film industry: a systemic, toxic culture that needs urgently addressed.

Plan 75

Maturity and an optimistic offer of a more humane solution prevent PLAN 75 from being unbearably bleak. By showing something so terrible, the film is really showing what it so dearly values.