Turning
TURNING looks behind the scenes at an Antony and the Johnsons tour. A beautiful show, and with the documentary aspect, a strange viewing experience, writes Harry Hunt.
TURNING looks behind the scenes at an Antony and the Johnsons tour. A beautiful show, and with the documentary aspect, a strange viewing experience, writes Harry Hunt.
From swimming solar winds to the heaving of the immense machinery being used to examine the skies, this time-lapse short is never anything less than stunning, writes Harry Hunt.
In 2008, the Flemish government began the demolition of Doel, a historic village near the Port of Antwerp. Tom Fassaert’s documentary chronicles the destruction of the village.
A LIAR’S AUTOBIOGRAPHY presents itself like an audiovisual entry from the real Hitch-Hiker’s Guide to the Galaxy, with a bit of Tristram Shandy thrown in.
5 BROKEN CAMERAS is an extremely powerful documentary charting life in the village of Bil’in on the West Bank. Toby Miller got the opportunity to speak to co-director Guy Davidi for an in-depth interview on the making of the film.
If you take Western European views on homosexuality for granted, you should watch CALL ME KUCHU. David Perilli interviews creators Katy and Malika, and activist Naome Ruzindana.
This loving tribute to a milestone of British rock takes an insightful and evocative approach to the genre, writes Ed Frost.
Rodney Ascher’s ROOM 237 is a lively documentary that gives voice to a variety of remarkable theories that call into question Kubrick’s intentions with THE SHINING, writes Ed Frost at London Film Festival.
For an ideas-ejaculation THE LOTTERY OF BIRTH comes magnificently sheathed, writes David Perilli of Raoul Martinez and Joshua van Praag’s documentary at the Raindance Film Festival.
Director Deeyah gives the memory of Banaz Mahmod – a British-Kurdish woman who was murdered by her family in 2006 – the time it deserves in this harrowing film, writes David Perilli at Raindance Film Festival.