Interview with Toby Amies
Anthony Davis spoke to Toby Amies about his documentary THE MAN WHOSE MIND EXPLODED, a touching portrait of an ageing maverick amnesiac.
Anthony Davis spoke to Toby Amies about his documentary THE MAN WHOSE MIND EXPLODED, a touching portrait of an ageing maverick amnesiac.
It’s unsettling to watch a documentary about a group of extraordinary men, two of whom were walking toward their deaths, writes Amanda Randall.
Marta Cunningham unveils a mass of dark and intolerant attitudes that threaten the memory of an innocent teenager who simply wished to explore his identity.
Any suspicions that this will be a dry, academic exercise are dispelled when the film opens with a clip from THEY LIVE, writes Jim Moore.
“A WORLD NOT OURS quickly establishes itself as a deeply personal portrait, captured almost by accident amongst a wider political polemic.”
Bethlehem is divided, literally, by a giant illegal wall of concrete dividing Palestine and Israeli areas. Sarah Acton reviews Leila Sansour’s OPERATION BETHLEHEM.
Cousins’ own childlike joy in the camera is manifest throughout A STORY OF CHILDREN AND FILM, writes Amanda Randall.
Tom Dolby’s half-hour elegy-doc was filmed over a year and is still a work-in-progress. It’s much more than a motion picture, writes Huw Oliver.
The Tanzanians’ hatred for their albino community is desperately sad. But IN THE SHADOW OF THE SUN is not without hope, writes Mark Liversidge.
THE GREAT HIP HIP HOAX – two Scots remaking themselves as Californian rap duo – is a mild indictment of the artificiality of modern music, writes Jim Ross