Love & Engineering
LOVE & ENGINEERING, premiering at Tribeca Film Festival, does a disservice to both despite sparks of humour and engagement, writes Jim Ross
LOVE & ENGINEERING, premiering at Tribeca Film Festival, does a disservice to both despite sparks of humour and engagement, writes Jim Ross
Anthony Davis spoke to Toby Amies about his documentary THE MAN WHOSE MIND EXPLODED, a touching portrait of an ageing maverick amnesiac.
It’s unsettling to watch a documentary about a group of extraordinary men, two of whom were walking toward their deaths, writes Amanda Randall.
Marta Cunningham unveils a mass of dark and intolerant attitudes that threaten the memory of an innocent teenager who simply wished to explore his identity.
Any suspicions that this will be a dry, academic exercise are dispelled when the film opens with a clip from THEY LIVE, writes Jim Moore.
“A WORLD NOT OURS quickly establishes itself as a deeply personal portrait, captured almost by accident amongst a wider political polemic.”
Bethlehem is divided, literally, by a giant illegal wall of concrete dividing Palestine and Israeli areas. Sarah Acton reviews Leila Sansour’s OPERATION BETHLEHEM.
Cousins’ own childlike joy in the camera is manifest throughout A STORY OF CHILDREN AND FILM, writes Amanda Randall.
Tom Dolby’s half-hour elegy-doc was filmed over a year and is still a work-in-progress. It’s much more than a motion picture, writes Huw Oliver.
The Tanzanians’ hatred for their albino community is desperately sad. But IN THE SHADOW OF THE SUN is not without hope, writes Mark Liversidge.