Blue Is the Warmest Colour
Abdellatif Kechiche’s Palme d’Or-winning drama is an extraordinarily vivid portrayal of the highs and lows of love, writes Gavin Midgley.
Abdellatif Kechiche’s Palme d’Or-winning drama is an extraordinarily vivid portrayal of the highs and lows of love, writes Gavin Midgley.
Stephen Frears’ emotional crowdpleaser boasts a memorable partnership in Steve Coogan and Judi Dench, writes Gavin Midgley.
This satisfying blend of Middle Eastern drama and spaghetti western homage boasts two terrific lead performances, writes Gavin Midgley.
This Kosovo-set war drama is emotionally engaging despite its overly familiar plot and characters, writes Gavin Midgley.
“Machete don’t tweet.” Twitter’s loss is our gain as this sequel, showing in the FrightFest strand, is a nonsensical yet amusing action spoof, writes Gavin Midgley.
Just how much intellectual property should be placed in the hands of a single entity? And who exactly should profit from it?
What better way to open this year’s Cambridge Film Festival than with an exploration of one of its most famous residents?
SHORTFUSION is often a treasure trove of inventive and beautiful cinema nuggets, and this year is no exception, writes Owen Baker.
Ben Wheatley’s mesmerising trip to the past captures a key moment when chaos reigned supreme, writes Gavin Midgley.
Penny Woolcock’s inner-city gang documentary humanises people who have been demonised for too long, writes Gavin Midgley.