Scheme Birds
Placed in the hands of such technically skilled filmmakers, this important story simply soars. Jim Ross reviews SCHEME BIRDS.
Placed in the hands of such technically skilled filmmakers, this important story simply soars. Jim Ross reviews SCHEME BIRDS.
Jim Ross speaks with the director of Edinburgh International Film Festival selection LOVE TYPE D, Sasha Collington.
ROBERT THE BRUCE find itself caught between two stools, and although well made, that undermines the intimate concept and commanding central performance. Jim Ross reviews at Edinburgh International Film Festival.
LOVE TYPE D has a very familiar look and feel, but the gene pool of this comedy is wide enough to result in the DNA of a healthy success of a film. Jim Ross reviews at Edinburgh International Film Festival.
Pella Kågerman and Hugo Lilja’s ANIARA is a slickly allegorical take on the doomed space flight archetype, that stands out in a crowded genre landscape. Jim Ross reviews at Edinburgh International Film Festival.
BOYZ IN THE WOOD is a fast-paced bumper car ride, with great comic timing and a sprinkling of social awareness. Jim Ross reviews the Edinburgh Film Festival opener.
Although there is little that allows WE THE ANIMALS to stand apart, Jeremiah Zagar’s feature is a wonderfully made film that will sweep you up into its story. Jim Ross reviews.
HIGH LIFE is a story so simple it loops back to the profound and so focused it collapses through the event horizon to feel universal. Jim Ross reviews Claire Denis’s remarkable English-language debut.
WOMAN AT WAR never quite strikes the memorable blow it wants to, but neither does it crash to earth like a pylon sabotaged by lead character Halla. Jim Ross reviews.
VOX LUX has many interesting things to say, but doesn’t seem to say them in an interesting or clear way. Jim Ross reviews.