Why David Cameron Is Wrong About UK Film
Jim Ross discusses why David Cameron is wrong to suggest applying free-market economics to UK film and target funding at potential commercial successes in a recent speech.
Jim Ross discusses why David Cameron is wrong to suggest applying free-market economics to UK film and target funding at potential commercial successes in a recent speech.
Jorge Cham is the creator of popular webcomic PhD Comics, and one of a few professional webcomic artists. The film version of the strip was recently screened in Cambridge, and Jim Ross got the opportunity to ask him a few questions about the project.
AYAMÉ is a promising looking independent sci-fi production by Irish film maker Conor Maloney. Jim Ross caught up with him shortly after finishing the full version of a trailer for the project.
Even though Lynne Ramsay has layered WE NEED TO TALK ABOUT KEVIN with colours and striking vision, it resides firmly in shades of morally ambiguous grey.
Jim Ross reviews Miranda July’s second feature film, THE FUTURE, which premiered at the Sundance Film Festival and is now showing at Picturehouses nationwide
Jim Ross reviews Andrea Arnold’s take on the classic tale of WUTHERING HEIGHTS, based on the Emily Brontë novel
Jim Ross reviews NOTRE ÉTRANGÈRE, an excellent but heartbreaking film screening at the Cambridge African Film Festival on Monday November 7th
Jim Ross takes a look at Andrew Rossi’s journalism documentary PAGE ONE, following the employees of The New York Times.
Jim Ross reviews Billy Wilder’s eerily resonant tale of journalistic corruption.
Jim Ross reviews the classic ALL THE PRESIDENT’S MEN, one of the revivals at the 31st Cambridge Film Festival