Zero Dark Thirty
Weighing historical fact against directorial decision, ZERO DARK THIRTY is a suspenseful and complicated piece of cinema, writes Ann Linden.
Category Archives: Reviews
Father
The London Short Film Festival’s FATHER programme takes a measured look at the role of the parent and the often fraught relationship between father and child, writes Liam Jack.
Les Misérables
A luminous Anne Hathaway steals the show in Tom Hooper’s painfully raw, intimate and brave adaptation of this notoriously bleak tale, writes Lillie Davidson.
Ratatouille
Plenty of slapstick offsets a romantic, witty and dramatic storyline that is never cheap or condescending: RATATOUILLE caters for all tastes, writes Rosy Hunt.
Midnight's Children
Deepa Mehta’s MIDNIGHT’S CHILDREN is touching and hypnotic, but his attempt to combine the serious and the whimsical does not do justice to Rushdie’s novel, feels Hannah Clarkson.
Youth of Today
The LSFF’s YOUTH OF TODAY programme examines gang culture and peer pressure, trying to understand the breeding ground rather than jumping to rash conclusions, writes Liam Jack.
Lincoln
Steven Spielberg’s LINCOLN is as remarkable for what it doesn’t do as what it actually puts on screen – a window on the life of a determined historic figure and a fascinating period in American history, writes Jim Ross.
Ahiru to kamo no koinrokkâ
Don’t mistake this for just another hipster “my wacky friend is crying on the inside” dramedy – AHIRU TO KAMO NO KOINROKKA is a slow burning thriller with a Lynchian twist.
God's Lonely Men
The story of Travis Bickle, TAXI DRIVER, tells of man’s brutally lonely plight; these films shown at London Short Film Festival explore the many other corners of the subject, yet untold. Ferry Hunt reviews.
Teenage Girls Go Crazy
LSFF’s TEENAGE GIRLS GO CRAZY brings together a selection of mature, unique and beguiling films about the confusion of girls bridging the gap between childhood and adulthood.