Hi A.I.
HI, A.I. shows us that this technology has more to offer than just murderous HAL 9000s and Skynets.
HI, A.I. shows us that this technology has more to offer than just murderous HAL 9000s and Skynets.
Writer, director and composer Thomas Clay finds fertile ground in which he can deconstruct the common notions of the period drama. James Ashworth reviews from LFF.
An invigorating chance to see an artistic and emotion-driven creative process at work, writes Katie Duggan.
Khoshbakht allows us many rare glimpses into a domestic cinema which vanished with the revolution.
A sumptuous score, compelling characters, and beautiful visuals ensure that this former play finds its place as a film.
Elena Trappe conjures impeccable performances from her cast in the touching and funny DISTANCES.
All human life is in SO LONG, MY SON – as well as a fascinating insight into Chinese life in a time of social upheaval.
In Levan Akin’s third feature, AND THEN WE DANCED, comes a tale of innate bravery, masterful performances, and a promising story of youthful ambition and the hurdles that must be overcome to attain glory for a young gay dancer in a conservative country. In a studio in Georgia, professional dancer Merab (Levan Gelbakhani) recites a … Continue reading And Then We Danced
NON-FICTION is a witty, insightful and intelligent film that delves into the lives of those immersed in the publishing industry as it battles for relevance and importance in the modern age. Elle Haywood reviews.
CAMERA D’AFRIQUE showcases the innovation and tenacity of African filmmakers who have fought to tell their stories on screen.