DANIEL ISN’T REAL is the story of a college freshman whose imaginary childhood friend makes a comeback – it’s an accessible and attractive story, but the film’s true strength lies in the subjective experience it offers. Rosy Hunt reviews.
While some fear the acclaim is overhyped, PARASITE will leave you desperate to speak with others about an exceptional cinematic experience. Elle Haywood reviews.
A BEAUTIFUL DAY IN THE NEIGHBORHOOD provides a nostalgic window on how to process emotion, the power of forgiveness, and the complicated interior lives of those we share emotional space with.
For all the exclamations that this latest picture marks ‘Terrence Malick’s return to form,’ or, more grossly, that ‘Terry’s back!’ Marc Nelson counters with this: he never left.
Brimming with anxious energy, Josh and Benny Safdie’s latest feature is a densely packed medley of memorable lines, characters and debut acting performances. Reminiscent of their previous outing – GOOD TIME – UNCUT GEMS nevertheless applies the anxiety-inducing approach polished there in new and interesting ways. Adam Sandler leads as Howard Ratner, a jeweller in … Continue reading Uncut Gems→
The surface pleasures of MARTIN EDEN are profound in themselves, but the pleasure they provide compounds when you realise that surface itself is a tissue of lies. The screenwriter Maurizio Braucci described the film, with a shocking eloquence, as “a dream of the twentieth century”, and it’s difficult to express how accurately the phrase represents … Continue reading Martin Eden→
In BEANPOLE, spaces are rendered with a genuine beauty, in composition, in colour, in light. The film holds an intense sympathy for its characters in balance with a need to be honest. Marc Nelson reviews at LFF 2019.