Interview with Laura Colella
We spoke to the writer/director/editor of BREAKFAST WITH CURTIS: a film Paul Thomas Anderson called “a smile from beginning to end”.
We spoke to the writer/director/editor of BREAKFAST WITH CURTIS: a film Paul Thomas Anderson called “a smile from beginning to end”.
EMPEROR deals with an interesting moment in the aftermath of World War II, but Owen Baker isn’t convinced by its treatment of history.
Im Sang-soo’s THE TASTE OF MONEY has a gin-dry and pleasingly wry sense of humour which takes pity on none of its players.
The performances of the film’s two leads are strong enough to carry PRINCE AVALANCHE’s meandering and sometimes surreal plot, writes Sophie Skinner.
KUMA – a satisfyingly slow burning web of family lies, secrets, mistrust – feels like an important piece of work, writes Liam Jack.
The films screened as part of the Disability Sport and Art Festival 2013 range from the insightful and poignant to the enjoyably barmy, writes Dan Harling.
Although Michael Shannon delivers a superb performance, THE ICEMAN can only be carried so far by that and his ever-changing facial hair, claims Jim Ross.
Steven Spielberg’s LINCOLN is as remarkable for what it doesn’t do as what it actually puts on screen – a window on the life of a determined historic figure and a fascinating period in American history, writes Jim Ross.
Despite some annoyingly blunt and simplistic narrative elements, Ang Lee’s LIFE OF PI is the work of a master visual storyteller, writes Jim Ross.
TAKE ONE’s top drama pick at Brighton Film Festival: Adam Leon tells the story of two graffiti artists in the Bronx.