Our Mothers
Writer/director Cesar Diaz’s OTHER MOTHERS (NUESTRAS MADRES) is a harrowing testimony of the atrocities committed during the Guatemalan Civil War and subsequent genocide of the country’s Maya population.
All content tagged Glasgow Film Festival
Agnes Joy
Set between the stunning Akranes and Reykjavik, AGNES JOY is full of subtle beauties, from the landscape to the emotional intelligence of the actors.
Days of the Bagnold Summer
As Simon Bird’s debut, DAYS OF THE BAGNOLD SUMMER indicates a successful career for him behind the camera as well as in front.
Valley of Souls
“You’ll need a drink afterwards” was the main takeaway from the introduction to VALLEY OF SOULS, director Nicolás Rincón Gille’s first fiction feature. Set in the Colombian countryside, it follows one man on his journey to reclaim the bodies of his two sons, killed and dumped in the river by a far-right paramilitary group. It … Continue reading Valley of Souls
The Painted Bird
Vaclav Marhoul’s new film is a raw and visceral horror – a film that shows humanity at its absolute worst in an unnamed area of Eastern Europe during World War II. Ben Woodard reviews at Glasgow Film Festival 2020.
Proxima
The production design and visual style of PROXIMA are refreshingly earth-bound and create a tangible emotional connection to the characters, even if Alice Winocour’s symbolic moments lack the subtlety that would elevate the film itself to the stars. Jim Ross reviews at Glasgow Film Festival.
Spookies
SPOOKIES, a delightfully campy American horror film, oozes low-budget charm and is the epitome of the independent horror aesthetic of the 1980s. Katie Duggan reviews.
Blanco en Blanco
In Théo Court’s haunting BLANCO EN BLANCO he interrogates the images we create of nations and ourselves through photography, while drawing our attention to the ghostly traces of dark history that mar these images. Katie Duggan reviews.
Supernova
SUPERNOVA paints the analogy of Nietzsche’s butterfly with a stark social realism which ruptures and challenges the idea of a cosmos through a microcosm of chaos, contingency and causation. Steph Brown reviews.
Tammy and the T-Rex
The ‘gore cut’ of the film – screening at Glasgow Film Festival – cements TAMMY AND THE T-REX’s status as unapologetically campy nonsense best seen in a cinema with other people. Simon Bowie reviews.