Juanita Samson and Elle Haywood report back from “Meet the Directors” at Cannes.
Set in the aesthetically gorgeous backdrop of Paris’ 1970’s pornography scene, KNIFE AND HEART takes viewers on a murder mystery of melodramatic love and loss.
A daring escape from a piano bar and a run-in with Terry Gilliam – read all about it in the second instalment of Elle Haywood’s Cannes film festival diary.
Elle Haywood speaks to producer Jared Selcer about ZIGGY’S WILL, a short film screened at this year’s Cannes Film Festival.
Matteo Garone delivers a showpiece of raw gangsterism in the Italian suburbs, and the moral complexities of vengeance in a small town community.
SOLO has a nice shiny, squeaky Disney feel to it and lacks the rugged authenticity of the other films, writes Elle Haywood at the Cannes Film Festival.
Lars Von Trier delivers another uncomfortable cinematic viewing… Elle Haywood reports back from the Cannes premiere.
Elle Haywood reflects on her first couple of days at the Cannes Film Festival 2018, with fellow Take One reps Tina, Juanita, Jess and Catarina.
Elle Haywood reviews and shares Sir Michael Caine’s insights into David Batty’s MY GENERATION.
Elle Haywood examines why “The Post” is so relevant in today’s contemporary world of journalism and political accountability.