The BFI London Film Festival kicks off today, Ed Frost takes a short look at what is in store until October 21st. Check in with TAKE ONE for reviews of films screening at the festival.
Ahead of the release of the English language version of PUSHER, Joe De-Vine takes a look at the career of the original’s director – Nicolas Winding Refn, a man “insistent on being heard as a distinct voice in cinema.”
Hannah Clarkson and Steve Williams offer opposing views on Rosi’s ILLUSTRIOUS CORPSES. Is the truth always revolutionary? There’s only one way to find out! Read on, and then let us know what you think.
Jim Ross speaks to Mat Whitecross, director of SEX & DRUGS & ROCK & ROLL, about his new film ASHES – the difficulties of making of the film, the performances of the cast, and Whitecross’ career to date.
Director Christophe Wagner was at the Cambridge Film Festival to show his new film, DOUDEGE WÉNKEL (BLIND SPOT) – Jim Ross spoke to him about the film and the film industry in Luxembourg, his native country.
CFF 2012’s Short Fusion strand gives audiences the chance to see fresh ideas and new talent. Take One spoke to Alexander Tuschinski whose film Hollow Date screened this week.
We hoped to interview Luke Fowler at CFF2012; unfortunately, he was indisposed. Instead we offer you a review from guest writer Anthony Davis, who attended the screening and Q&A.
If you had the misfortune to miss the brilliant TRIDENTFEST 2012, let CFF know there’s a demand by tweeting them @camfilmfest or by commenting on the festival site. Rosy Hunt reviews.
Pharmacist Lucy Sheppard is not entirely convinced that the David-versus-Goliath situation described in the emotive documentary FIRE IN THE BLOOD is quite as clear cut as it seems. What do you think?
Toni Espinosa, producer of THE NIGHT ELVIS DIED talks to Liam Jack at the Cambridge Film Festival about the film’s production, his cinematic influences and the state of cinema in Catalonia.