Since its 1922 release, NOSFERATU has been subject to as much mythology and folklore as the original vampire legend itself.
THE CRASH REEL is an intense, blistering ride through the world of snowboarder Kevin Pearce, writes Jack McCurdy.
If you liked DEAD MAN’S SHOES and KILL LIST, don’t miss the vivid and terrifying seadog tragedy FOR THOSE IN PERIL – screening on the 21st at CFF.
What will the titular loss entail? A death… an escape… a banishment? We strongly recommend you find out. But, if possible, don’t watch it alone.
Squirm-inducing body horror, the field recording expeditions of a pig farmer, meditations on free will, and a vague romance. Paul Milne reviews Shane Carruth’s latest.
TIME BANDITS is the first in Gilliam’s trilogy which also includes BRAZIL and THE ADVENTURES OF BARON MUNCHAUSEN. Picturehouse’s “Culture Shock” strand brought the remastered BANDITS to Cambridge.
Noah Baumbach’s love letter to New York City is a rare gem on growing up and tragicomedy of it all, writes Lillie Davidson.
Steve Williams reviews Toomas Hussar’s directorial debut MUSHROOMING, a satire on the conflict between social decency and people’s true and hidden natures.
Low-key absurdity, atmospheric isolation and melancholic anti-thrills. Paul Milne reviews Vahid Vakilifar’s TABOOR at the Edinburgh International Film Festival.
Treading a fine line between creepy and charming, IN THE HOUSE ingratiates itself with the audience before pulling off a nimble series of twists and reversals.