Two films and over a decade after the last film, we’re reunited with a very different Bridget. So why is she still so likeable?
Transgender meets the silver screen: TAKE ONE writer Xanthe Gilmore reviews Tom Hooper’s controversial latest release, THE DANISH GIRL
“Not just sex, but more. More!” Take One writer Xanthe Gilmore explains why Godard’s 1963 classic ‘Contempt’ (‘Le Mepris’) is well worth a watch
CFF’s German shorts are united in their appeals to the rawest elements of human experience: estrangement, desperation and our ultimate need for hope.
TRAINWRECK opens with a woman in her underwear, making out with a guy and talking dirty. But this film could not be more different from others of its ilk.
McKellen’s Holmes is where the heart is, writes Xanthe Gilmore.