ShortFusion: Days Of Awe
Ahead of the shorts programme TO CELEBRATE, Jim Ross speaks to Rehana Khan, the director of DAYS OF AWE – one of the highlights of the shorts at the Cambridge Film Festival.
All posts by Jim Ross
Why Cinema Brands Kill Narrative
They may pull in audiences, but using cinematic brand names as TOTAL RECALL and THE BOURNE LEGACY did kills narrative and leaves audiences feeling duped, writes Jim Ross
Take This Waltz
Although it threatens to tip over into twee irritation, Sarah Polley’s TAKE THIS WALTZ never does and the cast delivers a well-acted personal drama, writes Jim Ross.
The Bird (L'Oiseau)
Although THE BIRD never really takes flight, it’s an involving piece where the heart and emotion lies in what goes unsaid, says Jim Ross
The Forgiveness of Blood
THE FORGIVENESS OF BLOOD is fantastically involving tale about the suppression of youth by ancient traditions, says Jim Ross
Ai Weiwei: Never Sorry
Alison Klayman’s documentary is a fascinating and often inspiring portrait of the famous artist and activist, writes Jim Ross
Jackpot (Arme Riddere)
Although quite enjoyable, you’ll be left feeling that JACKPOT is a mish-mash of much better films, writes Jim Ross
Searching For Sugar Man
SEARCHING FOR SUGAR MAN continues a great year for the musical documentary, writes Jim Ross
The Hunter
THE HUNTER features some great cinematography, but it just all feels a bit like a rather undramatic stroll in the park says Jim Ross
The Dark Knight Rises
THE DARK KNIGHT RISES stumbles in places, but draws on the themes of its predecessors in a gratifying way to deliver a spectacular and emotional finale, says Jim Ross