A Window In London – BFI Retrospective
Edd Elliott reviews A Window In London, part of the BFI’s London on Film series.
Edd Elliott reviews A Window In London, part of the BFI’s London on Film series.
Federica Roberti reviews the unusual and slow-burning thriller ROOM, adapted from Emma Donoghue’s best-selling novel, at the BFI London Film Festival.
At its best, SICARIO arrests attention and has a patience that draws out an incredibly tense atmosphere. Jim Ross reviews.
You thought FIFA was corrupt? Take a look at the body governing world cricket.
“A truly wholesome watch, maybe even John Clare would have been happy,” writes Faye Gentile.
Scriptwriter Luke Davies takes a fresh and raw approach to portraying two juxtapositional characters in LIFE, writes Faye Gentile.
One of Britain’s best arthouse auteurs delivers a transgressive tribute to one of Russia’s foremost artists, presenting him as a filmmaker, theorist, and above all as a human being.
Love is a broad, deep and many-layered subject, and it’s an ambitious topic in any medium, let alone a short film, writes Jack Stocker.
Consistently gorgeous to look at and with some extraordinary set-pieces, THE STRANGE CASE OF DR JEKYLL AND MISS OSBOURNE is, like much of Walerian Borowczyk’s work, likely to be an acquired taste.
The director of DANCE IRANIAN STYLE claims he wanted to avoid a sob story, but was there no way to anchor a fiction film in realism while avoiding sentimentalism?