The Grand Budapest Hotel
THE GRAND BUDAPEST HOTEL is a delightful chocolate box of a film, with Wes Anderson beginning to show his artistic soul, writes Jim Ross
THE GRAND BUDAPEST HOTEL is a delightful chocolate box of a film, with Wes Anderson beginning to show his artistic soul, writes Jim Ross
Janis Klimanovs’ short documentary is an exploration of the nature and endurance of love.
Jarmusch’s spin on the vampire tale manages to breathe life back into the most (un)dead of tropes, writes Jim Moore.
Laced with humanity and softly tragic humour, Spike Jonze’s HER is an emotionally packed film that will tease out pensive moments, writes Jim Ross
THE MONUMENTS MEN, although entertaining in spurts, wastes an excellent premise and extremely talented cast with an uneven tone and script, writes Jim Ross
Neither a complete failure nor entirely successful, ROBOCOP 2.0 scrapes a pass but can’t escape the shadow of its forebear, writes Gavin Midgley.
Although lacking sparks of drama and originality to be burnt into the memory, the positives of OUT OF THE FURNACE marginally outweigh that drawback, writes Jim Ross
Schlesinger’s nuanced, knowing DARLING – screened at Cambridge APH earlier this month – is a great example of British cinematic innovation, writes Sarah McIntosh.
Matthew McConaughey is completely believable as the arrogantly intolerant, coke snorting, Texan shag-monster in DALLAS BUYERS CLUB, writes Liam Jack.
Piracy threatens the outcome of an independent cinema in this quirky and eccentric short comedy from Cambridge student Camila Kater.