All This Mayhem
ALL THIS MAYHEM has more ups and downs than a half-pipe, according to Edd Elliott.
ALL THIS MAYHEM has more ups and downs than a half-pipe, according to Edd Elliott.
A NIGHT AT THE CINEMA IN 1914 is well worth watching: it’s engaging, enlightening and best of all, loads of fun, writes Amanda Randall.
Tamar van den Dop mingles the majestic and the mundane in her darkly comic coming-of-age drama SUPERNOVA.
GOD’S POCKET tells the darkly comedic tale of how a small neighbourhood is rocked by the suspicious death of a young man. James Walpole reviews.
Jon Toomey steps outside the mainstream with the exquisite THE GRAVEDIGGER’S TALE, which explores the wider cultural and emotional impact of mortality.
The ICA Artists’ Moving Image Network offers an ongoing series of screenings of new and rarely seen artist film and video work, at Manchester’s Cornerhouse.
British Horror doesn’t get much more weird and subversive than BLOOD ON SATAN’S CLAW, according to Edd Elliott.
‘TIL MADNESS DO US PART is a world of delirium but also of sensation, patiently exposed by the director, Wang Bin. Tianyi Shen reviews at EIFF.
A little-seen gem of a movie, with a captivating young lead and ground-breaking style, writes Sarah Lambert.
ʻAll the worldʼs a stageʼ perfectly describes OF HORSES AND MEN, writes Amanda Randall: aspects of life, sex and death are played out in full view in rural Iceland.