Compartment No. 6
With a mixture of bluntness and subtlety, two fabulous central performances, and graceful, intimate handheld camerawork, Compartment No. 6 makes what could feel like well-trodden drama territory earned and fresh.
Category Archives: Reviews
Hommage
Premiering in Europe at the Glasgow Film Festival, HOMMAGE (오마주) is a surprising and heartfelt cinematic mystery about women filmmakers, the collaborative process of filmmaking, and the ghosts of those that came before. It’s got some incredibly striking imagery and is a hidden gem of this year’s GFF. Ji-wan (Lee Jeung-eun) is a director of … Continue reading Hommage
Zalava
In Arsalan Amiri’s ZALAVA (زالاوا), demons are loose in a small village in pre-revolution Iran and mob mentality grips the village’s people. ZALAVA is a confident, creepy, and at times hilarious Middle Eastern horror film with an impressive cast, striking camera work, and gestures towards wider political discussions. Set before the Iranian Revolution, Zalava is … Continue reading Zalava
Superior
Simon Bowie reviews Erin Vassilopoulos’ SUPERIOR and argues that it fails to live to up its many David Lynch references and genre pastiches.
Her Way
Simon Bowie reviews Cécile Ducrocq’s HER WAY, a film with a strong Laure Calamy performance and a refreshingly positive attitude to sex work.
Both Sides of the Blade
Simon Bowie reviews Claire Denis’ new film, FIRE (also known as BOTH SIDES OF THE BLADE), an intense love triangle drama that skirts the border of melodrama.
Benediction
Simon Bowie reviews Terence Davies’ BENEDICTION, a biopic of poet Siegfried Sassoon that wrestles gamely with the idea of how to depict the effervescence of poetry on film.
Vortex
Simon Bowie reviews Gaspar Noé’s VORTEX, a relentlessly heartbreaking but thoroughly entrancing experiment of a film.
The Gravedigger’s Wife
Simon Bowie reviews THE GRAVEDIGGER’S WIFE, a well told story that brings to life a profound portrait of life in Djibouti.
A Banquet
Simon Bowie reviews Ruth Paxton’s A BANQUET, a stylish women-led horror film tackling fears around disordered eating.