With its impressive visuals and inventive approach to documentary storytelling, there is certainly enough substance in ALL THAT PERISHES AT THE EDGE OF LAND to keep it floating, but more time really needed to be spent exploring the key themes in order to mark it truly seaworthy. Ben Johnston reviews.
Frank Borzage’s 1927 silent classic 7TH HEAVEN begins in the gutters. But when viewing the restoration screened with spellbinding live piano accompaniment by composer Neil Brand, it is impossible to not be carried up with it from the grimy depths towards the stars.
Jim Ross previews the opening night of the 2019 Edinburgh Short Film Festival.
Streetkids United 3 – The Road to Moscow, begged more questions than it addressed. Mike Levy reviews.
The SHORTS TO DEBATE strand at the Cambridge Festival 2019 resonated with the Festival audience long after the screening.
Chris Dobson reviews HONEYLAND, which features in this year’s Document Human Rights Film Festival in Glasgow.
“The Invisible Life of Eurídice Gusmao” is about two sisters who want to be together, but outsider and insider forces attempt to keep them apart.
SCOOBY DOO has been running for 50 years and hasn’t lost any popularity over time, what has changed, however, is the way the mystery gang has been portrayed over the years. Joshua Ragan reviews.
A detailed portrait of a hotel maid’s working life which should delight lovers of minimalist cinema.
HER JOB is a complex character study highlighting the pernicious ways emotional abuse can manifest itself, writes Joe McLauchlan.
