Meeting Gorbachev
The way that Herzog can scope out the narrative of an interview is quite something to behold, with a firm grasp on his line of questioning. Elle Haywood reviews MEETING GORBACHEV.
The way that Herzog can scope out the narrative of an interview is quite something to behold, with a firm grasp on his line of questioning. Elle Haywood reviews MEETING GORBACHEV.
MARRIAGE STORY portrays truth, and with a fresh perspective. An incredibly rare find, writes Fiona Hughes.
IT MUST BE HEAVEN is Suleiman’s funniest film, the comedy laced up with his elegant, rebarbative vision.
BROTHERS is a tale of co-dependence, love, and the destruction that comes with them, writes Josh Ragan.
What happens to dreams deferred by imprisonment? MEN INSIDE ventures inside the walls of Baumettes prison in Marseille.
SECRETARIES: A LIFE FOR CINEMA shines a light on the women behind some of Italy’s most famous producers, directors and distributors.
HI, A.I. shows us that this technology has more to offer than just murderous HAL 9000s and Skynets.
Writer, director and composer Thomas Clay finds fertile ground in which he can deconstruct the common notions of the period drama. James Ashworth reviews from LFF.
An invigorating chance to see an artistic and emotion-driven creative process at work, writes Katie Duggan.
Khoshbakht allows us many rare glimpses into a domestic cinema which vanished with the revolution.