Magical Nights (Notti Magiche)
MAGICAL NIGHTS is a cheeky, dark peek behind the curtain into a world of delusional fantasy. Murray Ferguson reviews from the Italian Film Festival.
MAGICAL NIGHTS is a cheeky, dark peek behind the curtain into a world of delusional fantasy. Murray Ferguson reviews from the Italian Film Festival.
ON A MAGICAL NIGHT (CHAMBRE 212) is a smart comedy about life and love until it trails off into a confusing, self-consciously deep ending. Yemi Chabi reviews from Cannes 2019.
Underneath the layers of glitters and shiny colours in UNICORN STORE lies an unusual coming-of-age story about empowerment and self-acceptance. Carine Belmont reviews.
Tina Kendall reviews Werner Herzog’s new film FAMILY ROMANCE, LLC from Cannes Film Festival 2019.
Screening at Sundance London 2019, ANIMALS ‘has an undeniably charming quality to it’. Elle Haywood reviews.
EUPHORIA is an affecting film that effectively balances human drama with jovial debauchery. Murray Ferguson reviews as part of the Italian Film Festival.
THE DEAD DON’T DIE is not groundbreaking, but Jim Jarmusch manages to breathe some new life into the (un)dead genre. Joe McLauchlan reviews from Cannes 2019.
FATHER is appealing for those familiar with Taiwanese culture, but at the heart of it the film is about a man who has dedicated his life to his father’s craft, and is now facing the loss of that: a tragic story. Amber Heath reviews.
MATTHIAS & MAXIME makes one question whether friendship is love or vice versa. Yemi Chabi reviews at Cannes 2019.
THE BEARS’ FAMOUS INVASION OF SICILY does not only entertain and fascinate, it also wishes to educate its young and adult audiences alike. It is sure to leave an impression after its viewing, writes Yemi Chabi from Cannes 2019.