American Animals
AMERICAN ANIMALS is a docudrama mix that is a neat, tight deconstruction of the heist film and grips rather than grates. Jim Ross reviews.
AMERICAN ANIMALS is a docudrama mix that is a neat, tight deconstruction of the heist film and grips rather than grates. Jim Ross reviews.
FLIGHT OF A BULLET is raw and real but not in the manner war documentaries typically are. Anna Whealing reviews the Open City Documentary Festival award winner.
THOSE WHO COME, WILL HEAR is a suggestion of director Simon Plouffe’s full potential, despite not always connecting with the cultures it depicts, writes Luka Vukos at Open City Documentary Festival.
Closing this year’s Open City Documentary Festival, THE SWING marks Cyril Aris as a filmmaker to anticipate in the future, writes Luka Vukos.
Although the meandering approach robs BARONESA of momentum, the outlook and perspective is a fresh one worth engaging with. Jim Ross reviews the opening film of Open City Documentary Festival.
Dieudo Hamadi’s examination of the Democratic Republic of Congo’s struggles with political corruption is bleak but visually and narratively gripping. Jim Ross reviews at Open City Doc Fest.
¡Nae Pasaran! is an inspiring message that should be heeded by progressives everywhere. You must act. Resist. No Pasaran. Jim Ross reviews at Glasgow Film Festival.
The BFI’s collection of archive footage from China is drawn together by Ruth Chan’s excellent score, writes Mark Liversidge.
Mark Liversidge takes a look at the documentary which looks at the life of unsung political figure Gertrude Bell.
Revealing the cyber-warfare trump card behind America’s military prowess. John Cheshire reviews Alex Gibney’s latest documentary at the Edinburgh International Film Festival.