Vinterberg’s adaptation of the Hardy classic doesn’t quite gel, despite Carey Mulligan’s strong and subtle central performance, writes Andrew Nickolds.
Noah Baumbach’s self-confident latest, after his success with the charming and funny FRANCES HA, has an awful lot going for it.
The Bronx, 1963. Geographically close, but in reality we’re a long way from WEST SIDE STORY and its rival gangs the Jets and the Sharks…
News media satire NIGHTCRAWLER makes an antihero out of a sociopathic supernerd, writes Andrew Nickolds.
It’s hard to go far wrong with a star-led courtroom drama, writes Andrew Nickolds, but THE JUDGE has a pretty good try.
The unpublished story of a musical piece inspired by the sad story of those who had to emigrate from their homeland after the Spanish civil war.
The life journey of OH BOY is set to be a real crowd-pleaser, according to Andrew Nickolds.
Jennifer Aniston may be one of the brightest lights in LIFE OF CRIME, according to Andrew Nickolds.
TIR makes the most of the mundane, according to Andrew Nickolds.
There is plenty that is lovable in the absurdity of THE BOY WHO TURNED YELLOW, according to Andrew Nickolds.