Mug (Twarz)
MUG is an interesting and darkly comic look at what constitutes a personal identity. Jim Ross reviews at Cambridge Film Festival.
MUG is an interesting and darkly comic look at what constitutes a personal identity. Jim Ross reviews at Cambridge Film Festival.
HANDIA is a technically accomplished and engrossing tale of two brothers in the 19th-century Basque country. Jim Ross reviews at Edinburgh Spanish Film Festival.
AMERICAN ANIMALS is a docudrama mix that is a neat, tight deconstruction of the heist film and grips rather than grates. Jim Ross reviews.
Although the meandering approach robs BARONESA of momentum, the outlook and perspective is a fresh one worth engaging with. Jim Ross reviews the opening film of Open City Documentary Festival.
Dieudo Hamadi’s examination of the Democratic Republic of Congo’s struggles with political corruption is bleak but visually and narratively gripping. Jim Ross reviews at Open City Doc Fest.
Ably supported by his principal cast, former Jehovah’s Witness Daniel Kokotajlo crafts a tragic and engrossing narrative in APOSTASY. Jim Ross reviews.
Unsubtitled revenge drama ICEMAN is captivating in a way beyond words, even if there is the odd piece of yellow snow amongst the ice sculptures. Jim Ross reviews.
LEAVE NO TRACE is a film of delicately balanced contrasts – understated yet emotive; contrasting yet coherent; personal yet topical. Jim Ross reviews.
TAKE ONE will be the go-to place to find out about the best of the Edinburgh Short Film Festival in 2018, including reviews, interviews and programming insights.
MARY SHELLEY is a clumsy attempt to tell the story of a fascinating woman and literary pioneer. Jim Ross reviews at Edinburgh International Film Festival.