A Liar's Autobiography
A LIAR’S AUTOBIOGRAPHY presents itself like an audiovisual entry from the real Hitch-Hiker’s Guide to the Galaxy, with a bit of Tristram Shandy thrown in.
A LIAR’S AUTOBIOGRAPHY presents itself like an audiovisual entry from the real Hitch-Hiker’s Guide to the Galaxy, with a bit of Tristram Shandy thrown in.
SILVER LININGS PLAYBOOK is a comedy about mental illness that never shies away from harsh realities, writes Dorian Stone.
If Terry Gilliam decided to perform one of his animated Python cut scenes live, that might give you a rough idea of what to expect from The Paper Cinema, writes Harry Hunt.
Has the found-footage approach reinvigorated the cop movie genre? Gavin Midgley takes a look at David Ayer’s gritty LA-set thriller, starring Jake Gyllenhaal.
Is Mabel truly mad, or just misunderstood? Sarah McIntosh looks back at the cunning Cassavetes classic A WOMAN UNDER THE INFLUENCE, as part of our MADWOMEN theme.
Our man at this years Brighton Film Festival, Harry Hunt reviews Hirokazu Koreeda’s charming KISEKI. The children will love it – what a shame the BBFC slapped it with a 15 rating!
Nab’Ubomi meaning ‘This is Life’ is a South African youth project that goes into schools and helps teach secondary students about media production and development through a short film competition. The project has been running for five years and this programme in the Cambridge African Film Festival only represents a small amount of what has … Continue reading CAFF Closing Event: Nab'Ubomi Short Films
Told like a fairy tale, GHOST IN THE MACHINE is fun, rich and wicked. Kim Boyd reviews Oliver Krimpas’ short, which enjoyed great success at Cambridge Film Festival and at LSFF.
Today marks the anniversary of the death of one of the greatest neorealists, Vittorio De Sica. Rosy Hunt reviews his comedy anthology in which Sophia Loren and Marcello Mastroianni play three odd couples.
If you’re looking for cheap tricks and jump scares, you won’t find them in the hypnotically unnerving THE SHINING, recently re-released with an extra 24 minutes. Gavin Midgley reviews.