Man Made
MAN MADE is a beautiful representation of trans men and should be essential viewing this festival season and beyond. Sammy Andie Bennett reviews.
Category Archives: Reviews
The Day Shall Come
In THE DAY SHALL COME Chris Morris develops a sadness at the absurdity that perpetuates a status quo with an expensive human cost. Jim Ross reviews.
Many Undulating Things
Necessary viewing for anyone curious about this fascinating economic, cultural and architectural anomaly, or the history of western colonialism in Asia.
Sandpaper
SANDPAPER is a taught, tense, uncomfortable, nails-on-a-chalkboard type of film that is also a tight, well-paced, excellently executed example of psychological horror. Gabriel Farrell reviews at Raindance 2019.
Dark, Almost Night
DARK, ALMOST NIGHT is not a bad film but it is a film that crossed the line and hurt itself in the process. Sammy Andie Bennett reviews from Raindance.
Masters of Love
MASTERS OF LOVE is solid proof that, even with a concept as well-trodden and seemingly passé as this, when a group of talented people come together with the right energy and intentions, they can create something that feels fresh and original. Gabriel Farrell reviews at Raindance 2019.
Toxic Beauty
Director Phyllis Ellis leans on the juxtaposition between the image of care products pushed by the manufacturers and the harsh reality being revealed by the plaintiffs and scientists. Ben Johnston reviews TOXIC BEAUTY, which screened at Raindance 2019.
Ad Astra
Gray’s cinema, for all its motifs, perfect shot- and sequence-making, musical movements, and technical daring, is a cinema first and foremost of direct emotional sincerity and force. Marc Nelson reviews AD ASTRA.
The Last Tree
With the quality of the performances and production, the team behind THE LAST TREE are certainly worth looking out for in the future. James Ashworth reviews.
Emma Peeters
Nicole Palo’s stamp on dark comedy is well-defined and bravely unique. Stephanie Brown reviews.