Petite Maman
With captivating central performances from two talented young actors and a crisp autumnal palate, PETITE MAMAN develops a deep emotional resonance that stays with you much longer than its 72-minute runtime.
Category Archives: Reviews
The Souvenir: Part II
THE SOUVENIR: PART II continues Joanna Hogg’s semi-autobiographical journey of a young woman at film school in England. This new entry develops on the first film’s themes to capture the essence of both artistic escape and being young in an England of repressed emotions.
Spencer
SPENCER works on a surface level as a characterisation of a woman yearning to tarnish her gilded cage. However, its more lasting impact comes from its use as a microcosm to show the damaging broader character of a society that encourages – and enforces – being proper and not making a fuss above all else.
The Last Duel
Dodgy haircuts and questionable accents aren’t enough to dilute the compelling plot of Ridley Scott’s historical epic, THE LAST DUEL, where one woman’s accusation of rape is detailed in a RASHOMON-style structure of passion and deceit.
Eternals
ETERNALS is an odd blend, featuring segments of unusual natural beauty and humanity for a comic book blockbuster. Still, this tonal change is stymied by the need to stick mostly by the formula of its franchise brethren, and the film feels very inhibited as a result of its lack of boldness.
Cannon Arm and the Arcade Quest
CANNON ARM AND THE ARCADE QUEST manages to beautifully demonstrate the value of friends and community in helping someone overcome grief and achieve their ambitions in the face of long odds.
The French Dispatch
Not every story in THE FRENCH DISPATCH is a hypothetical page-turner, but the value of each one is clear, and Anderson remains one of the best cinematic authors.
Dune
DUNE may be Denis Villeneuve’s most grand and high-minded entry in the cinematic canon yet, but the relationships and emotions developed in this adaptation of Frank Herbert’s book are as dry as the desert sand on Arrakis.
Passing
PASSING’s sumptuousness frequently tips toward a visual and auditory fussiness that distracts from the flow between and within scenes and the contemporary echoes of Nella Larsen’s source novella.
Bantú Mama
BANTÚ MAMA is a film that never entirely gives its audience the complete picture painted in the mind of its characters. However, by allowing relationships to develop without over-laden dialogue and instead relying on the team’s visual craft and acting skills to sketch out this story, the film sets a touching and engaging tale in … Continue reading Bantú Mama