New Order (Nuevo Orden)
Michel Franco loses some of the grander points of NEW ORDER in a nihilistic spray of blood and green paint. Jim Ross reviews from TIFF 2020.
Michel Franco loses some of the grander points of NEW ORDER in a nihilistic spray of blood and green paint. Jim Ross reviews from TIFF 2020.
CONCRETE COWBOY puts a unique gloss on what could have been a tired narrative. Jim Ross reviews from TIFF 2020.
Its humanity and truth crystallise the universality that radiates through MONSOON. Steph Brown reviews.
With an impressive cast and a gorgeously bleak southern gothic aesthetic, THE DEVIL ALL THE TIME’s time-hopping, plot-crossing saga is thrilling and gruesome in equal measure, and only slightly hampered by a tendency to meander.
EXAM is an Iranian short, directed by Sonia K. Hadad, about a schoolgirl who is given a ‘package’ to drop off before an important exam.
Elegance Bratton’s PIER KIDS gives forgotten LGBTQ+ people a voice that shatters the illusion of progression and simultaneously demands society looks closer at disadvantaged LGBTQ+ youth. Steph Brown reviews.
Regina King’s subtle touch allows a single evening to reflect on the perception and symbolism of the achievements of four US icons and their relevance to today. Jim Ross reviews at TIFF 2020.
Christos Nikou’s APPLES takes a setting adrift from the contemporary world to reflect on modern identity and memory. Jim Ross reviews at TIFF 2020.
Chloe Zhao’s NOMADLAND is a beautiful and melancholic story embodied with heart and strength by Frances McDormand. Zhao’s film scatters the shattered remains of the American Dream amongst the breathtaking vistas of the ‘land of the free’; a romantic sonnet dedicated to a broken place. Jim Ross reviews.
There is so much more that could be said in greater detail about what Isabel Sandoval has achieved with LINGUA FRANCA. Cathy Brennan reviews.