Being Heumann
BEING HEUMANN is structurally, a traditional biopic, but importantly, it doesn’t rush towards its triumph, allowing the cast to relish in the joyful source material.
BEING HEUMANN is structurally, a traditional biopic, but importantly, it doesn’t rush towards its triumph, allowing the cast to relish in the joyful source material.
LA BOLA NEGRA posits that “too many love stories have been buried in the soil”, and although the suffering that accompanied them was buried also, the film proves they can yet bloom again into something touching.
WILD HORSE NINE possesses some wonderful delivery from its lead actors, but its muddled placement in a broader thematic picture results in a less enduring whole than Martin McDonagh’s best work.
FATHERLAND is a taut character study that ripples out from the central contradiction of its subject and typifies Paweł Pawlikowski’s continuing exploration of postwar Europe’s psychic scars.
JOSEPHINE deftly handles the many tricky moral and emotional elements, and ends on a hopeful note: that people can look after each other and find a way to move forward in a violent world.
THE MATCH is a dynamic and bold look at Argentina v England in 1986, but the narrow focus starts to feel like fawning and incurious tunnel vision rather than dedicated analysis.
I LOVE BOOSTERS is a disorienting rip through numerous ideas, but if recent years have shown anything, it’s that we have to drink from the fire hose and do our best to take action now. Now is not the time for nuance.