Hope
The sheer fun of the cinematic experience HOPE creates makes its flaws much easier to forgive.
The sheer fun of the cinematic experience HOPE creates makes its flaws much easier to forgive.
From the work of Bob Flanagan to the lowbrow, mainstream spectacle of the JACKASS films, self-injury becomes culturally valuable through its exposure to an audience, raising the fundamental question of whether suffering only acquires cultural meaning when it is witnessed by others.
As AKIRA took to the cinema screen once again for a re-release just this year, it reminded us of its storming arrival to the science-fiction genre in 1988. The film may not suggest a perfect tomorrow, but promises a future we can choose.