Sicario
At its best, SICARIO arrests attention and has a patience that draws out an incredibly tense atmosphere. Jim Ross reviews.
At its best, SICARIO arrests attention and has a patience that draws out an incredibly tense atmosphere. Jim Ross reviews.
TAKE ONE Awards for the calendar year 2014.
VIOLET is a confident feature debut from Bas Devos, with a strength lying in its visual storytelling, writes Jim Ross at CFF34.
Jim rediscovers the small delights — and irritations — of the Cambridge Film Festival.
LOVE & ENGINEERING, premiering at Tribeca Film Festival, does a disservice to both despite sparks of humour and engagement, writes Jim Ross
Engaging performances and strong direction allow BOULEVARD to overcome its more cliched elements, writes Jim Ross from Tribeca Film Festival
Although engaging and well-acted, EVERY SECRET THING lacks the visual imagination to take it up a level. Jim Ross writes from Tribeca.
NIGHT MOVES grips the audience with ever-increasing tension, according to Jim Ross at Tribeca Film Festival.
UNDER THE SKIN is a curious, disquieting and perplexingly superb piece of guerilla surrealism, writes Jim Ross.
Another year, another Terry Gilliam slice of imaginative dystopian hell: THE ZERO THEOREM still feels a bit humdrum for a director who is a visionary at his best.