Interview with William Fowler
Anthony Davis spoke to BFI curator William Fowler, who presented a collection of films by the British artist and eccentric, Bruce Lacey, at the Cambridge Film Festival this year.
Category Archives: Interviews
Mat Whitecross Interview
Jim Ross speaks to Mat Whitecross, director of SEX & DRUGS & ROCK & ROLL, about his new film ASHES – the difficulties of making of the film, the performances of the cast, and Whitecross’ career to date.
Christophe Wagner Interview
Director Christophe Wagner was at the Cambridge Film Festival to show his new film, DOUDEGE WÉNKEL (BLIND SPOT) – Jim Ross spoke to him about the film and the film industry in Luxembourg, his native country.
Fredrik Gertten Interview
Fredrik Gertten talks to Mike Boyd about BIG BOYS GONE BANANAS, and why this CFF Audience Award winning documentary has such an important message.
ShortFusion: Alexander Tuschinski
CFF 2012’s Short Fusion strand gives audiences the chance to see fresh ideas and new talent. Take One spoke to Alexander Tuschinski whose film Hollow Date screened this week.
Visions from Estonia: Mari Kallas
ANOTHER DIMENSION compares the lives of a superstitious old fisherwoman and a business orientated Christian pop band. We spoke to producer Mari Kallas about Estonian cinema.
Bert Stern: Original Madman
Bert Stern is effectively two men, writes Daniel Harling – celebrated photographer and troubled depressive. In Original Madman, we are granted access to this enthralling man.
Toni Espinosa Interview
Toni Espinosa, producer of THE NIGHT ELVIS DIED talks to Liam Jack at the Cambridge Film Festival about the film’s production, his cinematic influences and the state of cinema in Catalonia.
David Frankel Interview
After opening the Cambridge Film Festival with his new film HOPE SPRINGS, Jim Ross spoke to director David Frankel about the film and how hard it is to make interesting and challenging films in Hollywood.
Frank: Interview with Richard Heslop
Rosy Hunt speaks to Richard Heslop about his film FRANK, screening at the Cambridge Film Festival on September 19th, and his career. “I was not a happy bunny when I started writing FRANK – I used it as a kind of therapy to exorcise my demons.”