Cloud Atlas
“Our lives are not our own. We are bound to others, past and present.” CLOUD ATLAS weaves together of six intertwining narratives which don’t quite tie up satisfactorily, writes Florence Smith-Nicholls.
Category Archives: Reviews
Dancing In The Ashes
Jim Ross takes a look the winner of Film of the Year, Best Screenplay and Best Production Design at Watersprite 2013 – Nick Rowland’s DANCING IN THE ASHES.
Kaidan
KAIDAN puts a reflective spin on the traditional ghost story by engaging writers and film directors unfamiliar to the genre.
Lore
While the acting and technical skills on display are impressive, LORE has a thin story that never really kicks into gear, writes Liam Jack.
Ely Film Society: The Hunchback of Notre Dame
Ely Film Society’s screening of the classic Lon Chaney horror in the atmospheric setting of Ely Cathedral was a triumph, writes Amanda Randall.
Cigarette Burns Presents: The Keep
Cigarette Burns organises screenings of cult films in various London venues. Ferry Hunt reviews the recent screening of THE KEEP on 35mm.
The Graduate & Screen Out Loud
Presented by Falmouth University, THE GRADUATE showcased a selection of the best animation created in educational institutions over the last couple of years. Jon Toomey reports back from ANIMATED EXETER.
Import/Export
Ulrich Seidl’s IMPORT/EXPORT takes his ‘indiscreet gaze’ and applies it to the unseen forces governing the fates of economic migrants in Europe. Steve Williams reviews.
For Ellen
Shaylena Mandigo’s joyous performance almost saves So Yong Kim’s pretentious, meandering low-budget drama, says Dan Harling.
To The Wonder
Malick’s TO THE WONDER is a visual, emotional and lyrical tour-de-force, writes Hannah Clarkson.