Directed by Agnieszka Holland, MR. JONES is the largely untold real-life story of Welsh journalist Gareth Jones and a slow-moving and chilling historical drama. Set in the early 1930s, MR. JONES excels by telling the story of Jones’s perilous venture into Ukraine, which led to Jones becoming the first Western journalist to widely expose the … Continue reading Mr. Jones→
Corneliu Porumboiu’s THE WHISTLERS introduces us to the real-life whistling language El Silbo spoken by the film’s characters as betrayal and romance play out against the grand vistas of the Canary Islands.
EMA is noteworthy as a study of a great, possessive and possessing performance; and as a dance movie whose dance sequences relate to the substance of the narrative. But as a study of a character, EMA joins Larraín’s gallery of films about subjects he seeks to control – and cannot.
THE ASSISTANT lingers, and not because it generates an incandescent rage. Instead, it simmers with a sense of quiet injustice and insidious malfeasance, which is communicated powerfully by Kitty Green, Julia Garner, and the creative team.
IT’S ALWAYS FAIR WEATHER, the last of the Stanley Donen-Gene Kelly collaborations, has the temerity to admit something we all know to be true: namely, that life can be a bit shit.
For those worried about disappearing into an anonymous suburban hellscape, VIVARIUM will be the descent into fear and confusion it is clearly intended to be. Jim Ross reviews.
The 2020 general programme of IberoDocs had a focus on Portugal, with the six short films included in the night’s screening from a variety of places including Spain, Portugal, Hungary and Serbia. This was a smorgasbord of international voices that each held their ground as a glimpse into a particular time and place.
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