Adopting Audrey
ADOPTING AUDREY’s emotional beats are slight, often landing with less force than they could. However, it still explores something interesting about the generational divide between boomers and millennials.
All content tagged Glasgow Film Festival
Girl
Adura Onashile’s GIRL is a gentle and sometimes hypnotic view of a life laced with the after-effects of trauma. The film is an elegantly slow-burning drama, and its willingness to let the visuals and understated performances establish an atmosphere allows the audience to feel Grace and Ama’s emotions all the more keenly.
BlackBerry
Glenn Howerton almost rescues this uneven, chaotic film but this is the BlackBerry of techy biopics. It’s nothing new anymore.
Hommage
Premiering in Europe at the Glasgow Film Festival, HOMMAGE (오마주) is a surprising and heartfelt cinematic mystery about women filmmakers, the collaborative process of filmmaking, and the ghosts of those that came before. It’s got some incredibly striking imagery and is a hidden gem of this year’s GFF. Ji-wan (Lee Jeung-eun) is a director of … Continue reading Hommage
Zalava
In Arsalan Amiri’s ZALAVA (زالاوا), demons are loose in a small village in pre-revolution Iran and mob mentality grips the village’s people. ZALAVA is a confident, creepy, and at times hilarious Middle Eastern horror film with an impressive cast, striking camera work, and gestures towards wider political discussions. Set before the Iranian Revolution, Zalava is … Continue reading Zalava
Superior
Simon Bowie reviews Erin Vassilopoulos’ SUPERIOR and argues that it fails to live to up its many David Lynch references and genre pastiches.
Her Way
Simon Bowie reviews Cécile Ducrocq’s HER WAY, a film with a strong Laure Calamy performance and a refreshingly positive attitude to sex work.
Both Sides of the Blade
Simon Bowie reviews Claire Denis’ new film, FIRE (also known as BOTH SIDES OF THE BLADE), an intense love triangle drama that skirts the border of melodrama.
Benediction
Simon Bowie reviews Terence Davies’ BENEDICTION, a biopic of poet Siegfried Sassoon that wrestles gamely with the idea of how to depict the effervescence of poetry on film.
Vortex
Simon Bowie reviews Gaspar Noé’s VORTEX, a relentlessly heartbreaking but thoroughly entrancing experiment of a film.