Lie With Me
The events of LIE WITH ME would seem trivial to anyone other than the two concerned parties, and it is the everyday details and bucolic setting that allow character moments to organically emerge.
Category Archives: Reviews
Oppenheimer
There are no more significant potential ramifications than the end of the world, and that awful looming mushroom cloud haunts every frame of OPPENHEIMER’s tense and emotionally violent portrait.
Barbie
From the bright pink Warner Brothers logo to Helen Mirren’s irony-soaked opening voiceover, BARBIE sets itself up as a wildly vibes-based moment of silliness. But the film is so much more than that, and in many ways not even that at all.
Smoking Causes Coughing
SMOKING CAUSES COUGHING has thin characters, subplots that are never followed up on, and a main plot where the heroes’ actions make no difference: none of that matters because the film is so wildly absurd and entertaining.
Asteroid City
ASTEROID CITY’s lasting gift is an emotional resonance that could act as a skeleton key to Anderson’s films, even for those who’ve previously found them cold and unapproachable. Simon Bowie reviews.
Medusa Deluxe
In Tom Hardiman’s audacious whodunnit debut, MEDUSA DELUXE, it’s the hair that is cursed, and a trio of viperous contestants each embody a facet of the Gorgonite sister mythology.
Reality
Adapting from her own play, Tina Satter takes on a Herculean task with REALITY: transforming a stage production into a compelling film, all while continuing to keep the same true information and dialogue of an FBI interrogation transcript.
Master Gardener
As frustratingly stilted as MASTER GARDENER can be, Paul Schrader has still planted the seeds of something curiously mesmerising to watch grow.
Unclenching the Fists
UNCLENCHING THE FISTS explores the struggles of a young woman named Ada, and is a powerful portrayal of the impact of patriarchal structures – societal and familial – on the women within.
Brainwashed: Sex-Camera-Power
Where perhaps BRAINWASHED may be treading old ground for some of those already versed in basic film theory, Nina Menkes provides a clear platform for further study and highlights the saturation of male power in the film industry: a systemic, toxic culture that needs urgently addressed.