The Descendants
Alexander Payne’s THE DESCENDANTS arrived in the UK on a wave of awards nominations. Despite it being a pleasant film, Jim Ross isn’t sure it’s fully merited.
Alexander Payne’s THE DESCENDANTS arrived in the UK on a wave of awards nominations. Despite it being a pleasant film, Jim Ross isn’t sure it’s fully merited.
Do the Oscars really reflect cinematic quality and the year’s best, or are they a marketing tool of diminishing relevance? Jim Ross discusses the pursuit of the most coveted award in cinema.
Jim Ross discusses why David Cameron is wrong to suggest applying free-market economics to UK film and target funding at potential commercial successes in a recent speech.
Jorge Cham is the creator of popular webcomic PhD Comics, and one of a few professional webcomic artists. The film version of the strip was recently screened in Cambridge, and Jim Ross got the opportunity to ask him a few questions about the project.
AYAMÉ is a promising looking independent sci-fi production by Irish film maker Conor Maloney. Jim Ross caught up with him shortly after finishing the full version of a trailer for the project.
Director Ryoo Seung-wan was in Cambridge as part of the London Korean Film Festival, which was showing a retrospective of his work. He took some time to speak to Take One about his past and future projects.
Jim Ross reviews WE NEED TO TALK ABOUT KEVIN, Lynne Ramsay’s truly unsettling return to the big screen following a mother in the aftermath and build up to a horrific act of violence by her son.
Jim Ross reviews Miranda July’s second feature film, THE FUTURE, which premiered at the Sundance Film Festival and is now showing at Picturehouses nationwide
Jim Ross reviews Andrea Arnold’s take on the classic tale of WUTHERING HEIGHTS, based on the Emily Brontë novel
Jim Ross reviews NOTRE ÉTRANGÈRE, an excellent but heartbreaking film screening at the Cambridge African Film Festival on Monday November 7th